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ALEJANDRO CARTAGENA: PHOTO STRUCTURE / FOTO ESTRUCTURA at Eastman Museum

For this latest body of work, Cartagena spent time sifting through landfills on the outskirts of Mexico City to collect thousands of discarded photographs—portraits, snapshots, and tourist views. Cartagena excises figures, faces, or other details from the found photographs and reconfigures the original compositions by either moving the cut fragments or removing them entirely. The…

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Billy Hassell “Lone Star Wild” at Davis Gallery in Austin Texas

My work is a symbolic and narrative response to nature and seeks a balance between realism and abstraction. My primary subject matter has been the flora and fauna of Texas and my influences include Mexican and American folk art, 19th and 20th Century Japanese woodblock prints, natural history, field guides and botanical studies. Over the…

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R. J. Kern – The Best of the Best

“The Best of the Best” records champion animals at the 2018 Minnesota State Fair, one of the most competitive animal contests in the world. Animal breeding, like photography, has been an area of both technical and material evolution. This series explores the relationship between the present and the past, drawing parallels between early animal contests…

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“Metamorphoses: Ovid According to Wally Reinhardt” at Grey Art Gallery at NYU

For centuries, Greek and Roman myths have inspired artists. New York University’s Grey Art Gallery is pleased to present a solo museum exhibition of the New York–based octogenarian artist Wally Reinhardt, who continues in this time-honored tradition. The exhibit features some 50 watercolor, gouache, and colored pencil illustrations from a series that numbers nearly 200.…

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David Hornung “Intimate Visions” at Delaware Art Museum

I use my memory and imagination to invent pictures. The subjects I like to paint are ordinary—walls, ladders, rocks, trees, simple buildings, garden tools, ropes, bones, rickety tables. I strip subject matter of extraneous detail so that it appears emblematic rather than naturalistic. This also makes it possible to intermingle pictorial elements with abstract and…

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Graphic Discontent: German Expressionism on Paper at Cleveland Museum of Art

Graphic Discontent: German Expressionism on Paper has more than 50 prints and drawings in the exhibition dating from 1905 to around 1922. They present their responses to urban life, the nude, landscape, and war. Together they show how the Expressionists’ new graphic language disrupted and distorted traditional artistic themes to describe both a modern utopia…

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Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test at Art Institute of Chicago

The Art Institute of Chicago commemorates the centenary of the Russian Revolution with Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test, an exploration of early Soviet art and its audiences.  It is the largest such exhibition in the United States in more than 25 years. Vladimir Stenberg and Georgii Stenberg. “The Mirror of Soviet Society,” cover for Red Field, no. 19 (May…

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