Posts Tagged ‘thin gallery frames’
Adam Ryder “Renovatio Imperii”
Through photography, found imagery and other media, Adam Ryder presents a new body of work that operates as evidence of a secretive fraternal organization known to its members as “Renovatio Imperii”. Latin for “restoration of the Empire”, Renovatio Imperii is purported to be clandestinely involved in geo-political affairs and claims ties to the Roman imperium…
Read MoreColin Matthes: Instructional and Flood Resistant Work at Bockley Gallery
Bockley Gallery is pleased to announce its first exhibit by Milwaukee artist Colin Matthes. Instructional and Flood Resistant Work presents paintings, drawings, and sculpture. Ten works from Essential Knowledge, a series of drawings on paper illustrating basic skills for success in challenging situations, are included in the exhibition. Additionally the artist has constructed flood resistant…
Read MoreFresh Prints: The Nineties to Now at the Cleveland Museum of Art
“Contemporary printmaking is extremely diverse,” stated Jane Glaubinger, curator of prints. “Some artists reinterpret traditional printmaking techniques, while others experiment with new technologies or print on unusual materials. The large size of paper and presses allow prints to rival the scale of paintings that dominate the field of vision.”While some artists look inward to personal…
Read MoreSenufo: Art and Identity in West Africa at Cleveland Museum of Art
Senufo: Art and Identity in West Africa is the first presentation of Senufo art in the United States in the last 50 years and includes more than 160 works borrowed from nearly 60 public and private collections in Europe, Asia, Africa and North America, many of which have never before been publicly displayed. The selection of…
Read MoreMatthew Swarts at Miami Project 2014 Art Basel
We recently received a call from Matthew Swarts who was very excited about being asked to exhibit at Art Basel and wanted to know how quickly we could make frames. We know how important exhibiting at Art Basel is for artists and photographers and we told him we would do the job. After completing the…
Read MoreThe Believable Lie: Heinecken, Polke, and Feldmann at the Cleveland Museum of Art
The Cleveland Museum of Art presents The Believable Lie: Heinecken, Polke, and Feldmann, an exhibition focusing on relationships among the photographic work of three artists active during the 1970s that drew on ideas of surrealist/Dada culture of the 1920s and 1930s and influenced succeeding generations of photographers and media artists. The artists—Robert Heinecken, Sigmar Polke…
Read MoreSharp, Clear Pictures: Edward Steichen’s World War I and Condé Nast Years at The Art Institute of Chicago
Focusing on rarely seen Steichen photographs drawn from the Art Institute’s collection, this exhibition includes a unique album of over 80 World War I aerial photographs assembled and annotated by Steichen himself as well as a group of iconic glamour portraits and fashion photographs done for Condé Nast, featuring such early Hollywood royalty as Mary…
Read MoreJanet Gorzegno “Old Souls” at Bowery Gallery in New York City
Painter Janet Gorzegno’s new works in gouache on paper that invent for contemplation glimpses of the human—her recurring motif is the human head, which appears as a symbol of human consciousness. Gorzegno’s intimately sized paintings discover their form from within; they concentrate the eye on serene faces that appear wrapped in stillness as if attending…
Read MoreMicah Cash “Unclaimed Space” at the William Benton Museum of Art
“I wanted to send you a few installation images from the MFA Thesis exhibition. The photos look great in the frames, and I’ve received plenty of compliments on the frames themselves. Thank you for continuing the make such a wonderful product.” Micah is more knowledgeable about framing than most MFA students. We first met Micah…
Read More6:30 A.M. Robert Weingarten at Peabody Essex Museum
In January 2003, at 6:30 a.m., Robert Weingarten launched his photographic odyssey. Over the course of the year, he made daily exposures at precisely 6:30 a.m., maintaining an identical combination of camera, 350-millimeter lens, slow-speed film and viewpoint overlooking Santa Monica Bay. Five of his large-scale, luminous photographs of Malibu capture what the artist calls…
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